| Weird Wednesday - December 10, 2008 |
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I Luv Video Presents Weird Wednesday: DIRTY PICTURESDIRTY PICTURES DEC 10, MIDNIGHT, FREE, DIR. UMBERTO LENZI, 1971, 35MM, 90 MIN, R
Leave it to Italian genre king Umberto Lenzi, whose decadent, pessimistic master stroke PARANOIA wowed Weird Wednesday audiences earlier this year, to find the worm in the big juicy apple of seventies free love and permissiveness. In PARANOIA a beautiful older woman was terrorized in her home by a young couple leading to madness, senseless violence and death... I Luv Video Presents Weird Wednesday: DIRTY PICTURESRated R; 90min; Director:Umberto Lenzi (1971)
Location: Alamo Downtown
DIRTY PICTURES DEC 10, MIDNIGHT, FREE, DIR. UMBERTO LENZI, 1971, 35MM, 90 MIN, R Leave it to Italian genre king Umberto Lenzi, whose decadent, pessimistic master stroke PARANOIA wowed Weird Wednesday audiences earlier this year, to find the worm in the big juicy apple of seventies free love and permissiveness. In PARANOIA a beautiful older woman was terrorized in her home by a young couple leading to madness, senseless violence and death. This time it's the older woman (the great Greek actress Irene Papas) who gets the upper hand as she sets a trap for two beautiful young Brits (Ray Lovelock and Ornella Muti), who have been funding a lawless rampage across Europe by making amateur porn and selling it as they go. Like all the best Lenzi films, DIRTY PICTURES is full-blooded in its both its sleaze and cinematic invention.
During the golden age of Italian exploitation cinema there were craftsman directors every bit as good as the humble (and not so humble) craftsmen of Hollywood's golden age like William Wellman, Clarence Brown, Woody Van Dyke and the like. They all worked in different genres as the market dictated and all could be counted on to provide films they could sign with pride. It's amazing to realize that at one time in Italy the following versatile guys were making movies: Sergio Sollima, Sergio Martino (and producer brother Luciano), Umberto Lenzi, Enzo Castellari, Mario Bava, Fernando Di Leo - and that's just scratching the surface. It was a time of great ferment. There was a lot of money and a lot of demand for new films.
In Lenzi's PARANOIA (ORGASMO)
with Caroll Baker he played the first Altamontish dark chord of the end
of the sixties. Italy always had an uneasy relationship with concepts
like freedom and permissiveness. In PARANOIA two free young people tip
a 35-ish self-destructive beauty over the edge. In DIRTY PICTURES the
older woman traps the hippie couple in her web. It's a dark coda to the
sixties as the two photogenic youths disappear and capsize into the
voluptuous black storm that is Irene Papas. It's an ugly and
fascinating film and if you care enough about these movies to read this
blog you won't want to miss it.
(Lars)
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